05 May 2012

In the Beginning...


First Day of Creation (Sistine Chapel) - Michellangelo - 1509


 In the beginning God created the heaven and the earth.  
And the earth was without form, and void; and darkness was upon the face of the deep.
And the Spirit of God moved upon the face of the waters.
And God said, Let there be light: and there was light.  
And God saw the light, that it was good: and God divided the light from the darkness.
And God called the light Day, and the darkness he called Night.
And the evening and the morning were the first day.
-- Genesis (1:1-5) KJV 




God As Creator - Bible Moralisee - 1220


Ancient Of Days - William Blake - 1794


Creation's First Day - Ivory panel at the Cathedral of Salerno -  c. 1084


And God said, Let there be a firmament in the midst of the waters,
and let it divide the waters from the waters.
And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament; and it was so.
And God called the firmament Heaven
And there was evening and there was morning, a second day.





The Separation of Land and Water - Rafaello - 1519


The Garden of Earthly Delights - Hyeronimous Bosch - 1510


And God said: 'Let the waters under the heaven be gathered together unto one place,
 and let the dry land appear' And it was so.
And God called the dry land Earth, and the gathering together of the waters called He Seas;
and God saw that it was good.
And God said: 'Let the earth put forth grass, herb yielding seed, and fruit-tree bearing fruit after its kind, wherein is the seed thereof, upon the earth' And it was so.
And the earth brought forth grass, herb yielding seed after its kind, and tree bearing fruit, wherein is the seed thereof, after its kind; and God saw that it was good.
And there was evening and there was morning, a third day.
-- Bereshit (1:9-13) Tanakh




The Creation of the Animals - Tintoretto -  1551



The Creation of The Animals - Rafaello - 1519


And God said: Let the earth bring forth the living creature in its kind, cattle and creeping things, and beasts of the earth, according to their kinds. And it was so done.
And God made the beasts of the earth according to their kinds, and cattle, and every thing that creepeth on the earth after its kind. And God saw that it was good.
-- Genesis (1:24-25) Douay-Rehims 1899


Prometheus creating man in the presence of Athena - Jean-Simon Berthélemy - 1802

About 3,000 years ago, Jewish desert dwellers in what is present-day southern Israel told a story around campfires about the creation of the first man and first woman.  The story they told, and passed on to generations of future desert dwellers, described a pre-creation scene much like the desert landscape in which they daily struggled for existence.  From the dry desert dust the Creator forms a man and breaths life into him, and then places him in a beautiful oasis-like garden, abundant with fruits.  The Creator takes a personal interest in this first man, and sets about trying to find him a suitable companion.  When none of the creatures He first forms provides the man the comfort He had hoped, the Creator makes the first woman.  Everything goes well for a spell, in the story told in the desert, but then the Creator is disobeyed and bad things start to happen.



The Creation of Adam (Detail) - Michelangelo - 1511


And he said: Let us make man to our image and likeness:
and let him have dominion over the fishes of the sea, and the fowls of the air,
and the beasts, and the whole earth, and every creeping creature that moveth upon the earth.
And God created man to his own image:
to the image of God he created him:
male and female he created them.
And God blessed them, saying: Increase and multiply, and fill the earth,
and subdue it, and rule over the fishes of the sea, and the fowls of the air,
and all living creatures that move upon the earth.
-- Genesis (1:26-28) Douay-Rehims 1899




The Creation of Adam (Detail) - Michelangelo - 1511



Four or five centuries later, more than five hundred miles to the east, in what is most likely present-day Iraq, a remarkable Jewish writer, whose name we do not know, set about the ambitious task of constructing a primary history of his people. Evil Merodach reigned in this dark time of Jewish exile, around 560 B.C., and the writer hoped that his history would help his people endure their many trials. The writer was most likely a priest, and might have been assisted in his work by other priests and scribes.  To accomplish his mission, he acquired at least two pre-existing writings on Jewish history.  The prior writings came from different places and different times.  One set of writings used the Canaanite term, “Elohim,” as the name of the creator god. A second set of writings, more ancient than the first, used a Judean term, “YHWH” (translated “Jehovah” in English), to describe its deity.  

The priest wove the two texts together, trying to avoid repetition and altering them where necessary to avoid blatant inconsistencies.  The priest confronted an additional problem: the two texts originally reflected views about two different gods in a time of polytheism, but by the time he compiled his history, belief in a single god had become prevalent among Jews.   The priest, therefore, sought to remove passages supporting the polytheism of an earlier age—and, except for a few hints here and there, he succeeded.  Finally, he added some writing of his own, or of his priestly contemporaries, that reflected the ideas of his own, more mature, period of Judaism.


This is the history of the heavens and the earth when they were created,
in the day that the Lord God made the earth and the heavens,
before any plant of the field was in the earth and before any herb of the field had grown.
For the Lord God had not caused it to rain on the earth,
and there was no man to till the ground;
but a mist went up from the earth and watered the whole face of the ground.
And the Lord God formed man of the dust of the ground,
and breathed into his nostrils the breath of life; and man became a living being
-- Genesis (2:4-7) NKJV



Creation of Adam - Jan Brueghel the Younger - 17th C.


The story the writer put together from the various texts is a compelling one.  “The greatest story ever told,” it is now often called.  Without question, it is the most significant history, if that term is appropriate for such a blend of real events and legends, ever written.  Some of the events he described are consistent with other historical records, but many others, generally those before the time of Saul and David, or about 1000 B.C., cannot be tested for accuracy, and are no doubt shaped to reflect the priest’s religious and political goals.  

The history includes dramatic accounts of persecution, escape, exile, sacrifice, and global devastation by a great flood.  It tells of a creator god who watches over his people, tests his people, and promises them great things if only they honor his commandments.  As any great story must, the history has villains and it has heroes.  No figure plays a more heroic and central role in the priest’s work than a prophet by the name of Moses, born in Egypt in the 13th century B.C. Remarkably, memory of Moses survived in the writer’s people through seven centuries—and was, in fact, the inspiration for the task he gave himself. 

The writer believed that his story would not be complete without an explanation of how things: the sun, the earth, the seas, and life: plants, animals, and humans, came to be.  For good measure, the writer decided to include two such explanations.  He did so even though the two stories contradicted each other on several points.



The Lord God said, 
“It is not good for the man to be alone. I will make a helper suitable for him.”
Now the Lord God had formed out of the ground all the wild animals and all the birds in the sky. He brought them to the man to see what he would name them; 
and whatever the man called each living creature, that was its name. 
So the man gave names to all the livestock, the birds in the sky and all the wild animals.
But for Adam no suitable helper was found. 
-- Genesis (2:18-20) NKJV




The Creation of Eve (Sistine Chapel) - Michellangelo - 1510


The Creation of Eve - Jacopo Torriti - 1290


The priest opened his history with a creation story that might be his own, or one of his priestly contemporaries. The Creator in this story is impersonal, almost force-like.  The pre-creation setting is a watery chaos.  Creation takes place over six days.  He begins by creating the heaven and the earth.  Light comes next, followed by land rising from amidst the “gathered together” waters.  The creation of living things occupies parts of the next three days.  “Grass,” “fruit trees,” and “herbs” are created on the third day.  Curiously, the sun, moon, and stars come into existence the day after the plant kingdom is created.  On the fifth day, God brings forth fish, “great whales,” and “every winged fowl.”  Finally, on the sixth day, God creates “cattle, and creeping thing, and beasts of the earth.”  The creation story culminates with God bringing into existence his crowning creation: man made “in the image of God.”  Man, the priest explains, is “to have dominion over the fish of the sea and over the fowl of the air, and over the cattle, and over the earth, and over every thing that creepeth upon the earth.”



The Creation of Eve from Adam - Raffaello - 1483



The Creation Of Eve - George Frederic Watts - 1873



Immediately after the first creation account, the priest inserted a second story, a version of the ancient tale that was first told centuries earlier around desert campfires. The deity in this second story is a personal god with human-like emotions, the Lord of the Plantation.  The story opens on a barren landscape on which “no shrub of the field had yet appeared”.  God had not yet “caused it to rain upon the earth.” Creation begins in the form “a mist from the earth” that waters the parched plain.  God then forms from “the dust of the earth” the first man, Adam, and breathes “into his nostrils the breath of life.”  Finding a suitable home for Adam is God’s next concern. (This God takes a paternalistic interest in the first human, his very special creation.) God “plants” an oasis-like garden in Eden.  Proclaiming, "It is not good for the man to be alone. I will make a helper suitable for him," God forms “all the beasts of the field and all the birds of the air.”  When none of the beasts proves to be on much comfort to Adam, God takes one of the first man’s ribs and makes the first woman, Eve.  Adam and Eve anger God by eating a forbidden fruit, but they are nonetheless permitted to have sex and reproduce.  From this first union of man and woman, the writer explained, have come all of us.



So the Lord God caused the man to fall into a deep sleep; 
and while he was sleeping, he took one of the man’s ribs 
and then closed up the place with flesh. 
Then the Lord God made a woman from the rib he had taken out of the man, 
and he brought her to the man.
The man said,
“This is now bone of my bones and flesh of my flesh; 
she shall be called ‘woman,’ for she was taken out of man”.
That is why a man leaves his father and mother and is united to his wife, 
and they become one flesh.
-- Genesis (2:21-24)




She Shall be Called Woman - George Frederic Watts - 1875-92


Later, of course, commentators noted that it was not possible for both creation stories to be literal history, but writing a literal history was never the priest’s goal anyway.  How could anyone not see the contradictions?  Most obviously, the order of creation is different in the two stories.  In the six-day creation story, the order of creation is plants, birds and fish, mammals and reptiles, and finally man to reign over all created before him, while in the Adam and Eve story, the creation order is reversed, with man coming first, then plants and animals. The two creation stories also have different narrative rhythms, different settings, and different names for God.  In the six-day story, the creation of humanity occurs through a single act and the creator, seeming more cosmic than human-like, is present only through a series of commands.  In the Adam and Eve story, on the other hand, man and woman are created through two separate acts and God is present in a hands-on, intimate way.  The pre-creation setting in the six-day story is a watery chaos, while in the Adam and Eve version, the setting before creation is a dry dessert.  Finally, in the six-day story, the creator is called “Elohim,” while in the other version of events, the creator is “the Lord God” (“Yahweh”).

-- by Doug Linder



The creation of Eve - Henry Fuseli - 1793


The Creation of Eve - William Blake - 1807






30 March 2012

Jesús entra en Jerusalén...



Ermita de San Baudelio de Berlanga


"... este Jesús con el que iban de camino ¿no será acaso verdaderamente el nuevo David? Con su entrada en la Ciudad Santa, ¿no habrá llegado la hora en que Él restablezca el reino de David?
Los preparativos que Jesús dispone con sus discípulos hacen crecer esta expectativa. Jesús llega al Monte de los Olivos desde Betfagé y Betania, por donde se esperaba la entrada del Mesías. Manda por delante a dos discípulos, diciéndoles que encontrarían un borrico atado, un pollino, que nadie había montado. Tienen que desatarlo y llevárselo; si alguien les pregunta el porqué, han de responder: «El Señor lo necesita» (Me 11,3; Le 19,31). Los discípulos encuentran el borrico, se les pregunta —como estaba previsto— por el derecho que tienen para llevárselo, responden como se les había ordenado y cumplen con el encargo recibido. Así, Jesús entra en la ciudad montado en un borrico prestado, que inmediatamente después devolverá a su dueño".


(Extracto de Jesús de Nazaret: desde la Entrada en Jerusalén hasta la Resurrección - Joseph Ratzinger, Benedicto XVI)



Procesiónes de Burgos.
 


Claustro de San Pedro - Huesca



"En cada uno de los detalles está presente el tema de la realeza y sus promesas. Jesús reivindica el derecho del rey a requisar medios de transporte, un derecho conocido en toda la antigüedad (cf. Pesch, Markusevangelium, II, p. 180). El hecho de que se trate de un animal sobre el que nadie ha montado todavía remite también a un derecho real. Y, sobre todo, se hace alusión a ciertas palabras del Antiguo Testamento que dan a todo el episodio un sentido más profundo".

(Extracto de Jesús de Nazaret: desde la Entrada en Jerusalén hasta la Resurrección - Joseph Ratzinger, Benedicto XVI)



Catedral de Jaca


Procesiones de Oliva de la Frontera

"En primer lugar, las palabras de Génesis 49,1 Os,la bendición de Jacob, en las que se asigna a Judá el cetro, el bastón de mando, que no le será quitado de sus rodillas «hasta que llegue aquel a quien le pertenece y a quien los pueblos deben obediencia».Se dice de Él que ata su borriquillo a la vid (49,11). Por tanto, el borrico atado hace referencia al que tiene que venir, al cual «los pueblos deben obediencia».
Más importante aún es Zacarías 9,9, el texto que Mateo y Juan citan explícitamente para hacer comprender el «Domingo de Ramos»: «Decid a la hija de Sión: mira a tu rey, que viene a ti humilde, montado en un asno, en un pollino, hijo de acémila»{Mt 21,5; cf. Za 9,9; Jn 12,15)"


(Extracto de Jesús de Nazaret: desde la Entrada en Jerusalén hasta la Resurrección - Joseph Ratzinger, Benedicto XVI)



Procesiones de Sevilla


Monestiro de Santa Maria de l'Estany


 "Jesús reivindica, de hecho, un derecho regio. Quiere que se entienda su camino y su actuación sobre la base de las promesas del Antiguo Testamento, que se hacen realidad en El. El Antiguo Testamento habla de El, y viceversa: El actúa y vive de la Palabra de Dios, no según sus propios programas y deseos. Su exigencia se funda en la obediencia a los mandatos del Padre. Sus pasos son un caminar por la senda de la Palabra de Dios. Al mismo tiempo, la referencia a Zacarías 9,9 excluye una interpretación «zelote» de la realeza: Jesús no se apoya en la violencia, no emprende una insurrección militar contra Roma. Su poder es de carácter diferente: reside en la pobreza de Dios, en la paz de Dios, que Él considera el único poder salvador".

(Extracto de Jesús de Nazaret: desde la Entrada en Jerusalén hasta la Resurrección - Joseph Ratzinger, Benedicto XVI)




Monasterio de San Juan de la Peña - Huesca


Procesiones de Alcala La Real

24 February 2012

Man shall not live by bread alone, but by every word of God...


The Temptations of Christ - Sandro Botticelli - 1482


Then Jesus, being filled with the Holy Spirit, returned from the Jordan and was led by the Spirit into the wilderness, being tempted for forty days by the devil. And in those days He ate nothing, and afterward, when they had ended, He was hungry.
And the devil said to Him, “If You are the Son of God, command this stone to become bread.”
But Jesus answered him, saying, “It is written, ‘Man shall not live by bread alone, but by every word of God.’”


Luke (4:1-4) – NKJV


The Temptation of Christ - Botticelli (Detail 1st Temptation)


Entonces Jesús fue llevado por el Espíritu al desierto para ser tentado por el diablo. Después de haber ayunado cuarenta días y cuarenta noches, sintió hambre. Se le acercó el tentador y le dijo:
—Si eres Hijo de Dios, di que estas piedras se conviertan en pan.
Él respondió y dijo:
—Escrito está: “No sólo de pan vivirá el hombre, sino de toda palabra que sale de la boca de Dios.”


Mateo (4:1-4) - RV 1995



Temptation of Christ in the Wilderness - Juan de Flandes - XVI c.


The Temptation of Christ - Lucas Van Leyden - 1518



The Temptation of Christ - Tintoretto - 1581


Jesus Tempted in the Wilderness - James Tissot - 1894


Then the devil, taking Him up on a high mountain, showed Him all the kingdoms of the world in a moment of time.
And the devil said to Him, “All this authority I will give You, and their glory; for this has been delivered to me, and I give it to whomever I wish. Therefore, if You will worship before me, all will be Yours.”
And Jesus answered and said to him, “Get behind Me, Satan! For  it is written, ‘You shall worship the LORD your God, and Him only you shall serve.’ ”


Luke (4:5-8) – NKJV




The Temptations of Christ - Botticelli (Detail 2nd Temptation)



Otra vez lo llevó el diablo a un monte muy alto y le mostró todos los reinos del mundo y la gloria de ellos, y le dijo:
—Todo esto te daré, si postrado me adoras.
Entonces Jesús le dijo:
—Vete, Satanás, porque escrito está: “Al Señor tu Dios adorarás y sólo a él servirás.”
El diablo entonces lo dejó, y vinieron ángeles y lo servían.


Mateo (4:8-11) - RV 1995



The Temptation on The Mount - Duccio di Buoninsegna - 1311


Temptation of Christ - Vasily Surikov - 1872


The Temptation of Christ - Ary Scheffer - 1854


Temptation of Christ - Ilya Repin - 1801
 


Then he brought Him to Jerusalem, set Him on the pinnacle of the temple, and said to Him,
“If You are the Son of God, throw Yourself down from here. For it is written:
‘He shall give His angels charge over you, To keep you,’ and, ‘In their hands they shall bear you up,
Lest you dash your foot against a stone.’”
And Jesus answered and said to him, “It has been said, ‘You shall not tempt the LORD your God.’ ”
Now when the devil had ended every temptation, he departed from Him until an opportune time.


Luke (4:9-13) – NKJV



Sandro Botticelli (Detail 3rd Temptation)



Entonces el diablo lo llevó a la santa ciudad, lo puso sobre el pináculo del Templo y le dijo:
—Si eres Hijo de Dios, tírate abajo, pues escrito está:
“A sus ángeles mandará acerca de ti”, y “En sus manos te sostendrán, para que no tropieces con tu pie en piedra.”
Jesús le dijo:
—Escrito está también: “No tentarás al Señor tu Dios.”


Mateo (4:5-7) - RV 1995



Satanm Tried to Tempt Christ - James Tissot - 1895


Maesta Altar Piece (Detail) - Duccio di Buonisegna - XIV c.


 


Notes on "The Temptations of Christ" by Sandro Botticelli:




‘The Temptations of Christ’ (1480-1482), located in the Sistine Chapel, Rome, was created by the Italian Renaissance artist Sandro Botticelli between 1480 and 1482 and the artists of his workshop. The fresco depicts, mainly, three episodes from the gospels with an inscription “TEMPTATIO IESU CHRISTI LATORIS EVANGELICAE LEGIS” (The Temptations of Christ, Bringer of the Evangelic Law).

In the first episode, painted on the top left corner of the fresco, features the scene in which the devil appears before Jesus Christ disguised as a hermit and tempts him to turn stones to bread. In the second episode depicted on the top of the temple pediment, the devil disguised as the hermit tells him to jump down expecting the angels to save him from death. On the right top corner Botticelli painted the third episode showing the devil falling down from a hilltop that has exposed rock faces, while Christ and some angels are watching it. Just below the first episode scene, Christ is depicted with the angels.

The bottom portion of the fresco shows a sacrificial ritual being performed by a person, possibly one of the lepers who had been healed by Christ. Moses, who gave the divine Tables of the Law, has been painted as the high priest symbolically and Christ, who was sacrificed for the sake of humanity, has been painted as a young man standing near Moses.

The Temptations of Christ is complementary work to the fresco ‘The Trials of Moses’ created by Botticelli himself at Sistine Chapel. The idea behind the project that came up in 1480 as part of a reconciliation between Pope Sixtus IV and the ruler of Florence, Lorenzo de’ Medici, was to draw a parallel between several episodes of Moses’ life taken from Exodus and the events in the life of Christ as a symbol of continuity between the Old Testament and the New Testament. The work also sought to legitimize the authority of the popes of Rome, as allegedly Jesus appointed Peter, the first bishop of Rome, whose successors were the other succeeding popes of Rome.


Some details:



The Temptations of Christ - Sandro Botticelli (Detail)



The Temptations of Christ - Sandro Botticelli (Detail)



The Temptations of Christ - Sandro Botticelli (Detail)



The Temptations of Christ - Sandro Botticelli (Detail)




The Temptations of Christ - Sandro Botticelli (Detail)


10 January 2012

Annunciation ...


Annunciation - Simone Martini (Detail Angel)


Annunciation - Simone Martini (Detail Virgin)

Annunciation - Simone Martini - 1333



And she took a pot, and went out to draw water, and heard a voice saying unto her: "Hail thou who art full of grace, the Lord is with thee; thou art blessed among women". And she looked round to the right and to the left to see whence that voice came, and then trembling went into her house, and laying down the water pot, she took the purple, and sat down in her seat to work it.

And behold the angel of the Lord stood by her, and said: "Fear not, Mary, for thou hast found favour in the sight of God".Which when she heard, she reasoned with herself what that sort of salutation meant.


And the angel said unto her: "The Lord is with thee, and thou shalt conceive".
To which she replied: "What! shall I conceive by the living God and bring forth as all other women do?"

But the angel returned answer: "Not so, Mary, but the Holy Ghost shall come upon thee, and the power of the Most High shall overshadow thee; Wherefore that which shall be born of thee shall be holy, and shall be called the Son of the Living God, and thou shalt call his name Jesus; for he shall save his people from their sins. And behold thy cousin Elizabeth, she also hath conceived a son in her old age. And this now is the sixth month with her, who was called barren: for nothing is impossible with God". 

And Mary said: "Behold the handmaid of the Lord; let it be unto me according to thy word". 

-- Protevangelion or Gospel of James (9:7-17)



14th. Century:


The Annunciation - Bartolo di Fredi - 1383

Icon of Annunciation - Church of St Climent in Ohrid - 14th. c.

Annunciation with Saints - Veneziano Lorenzo - 1371

15th. Century:


Annunciation - Gentile da Fabriano - 1425


The Merode Altar Piece - Robert Campin - 1425
 

The Merode Altar Piece - Robert Campin (Detail)

Fra Angelico:

The Annunciation - Fra Angelico - 1426

The Annunciation - Fra Angelico (Detail)



The Annunciation - Fra Angelico (Detail)

Annunciation - Fra Angelico - 1434



The Annunciation - Fra Angelico - 1440

Annunciation to the Virgin - Fra Angelico - 1446

Annunciation and Unicorns?


Not that an angel entered (mark this)
was she startled. Little as other start
when a ray of sun or the moon by night
busies itself about their room,
would she have been disturbed by the shape
in which an angel went;
she scarcely guessed that this sojourn
is irksome for angels.

O if we knew how pure she was.
Did not a hind, that recumbent once espied her in the wood
So lose itself in looking that in it
quite without pairing
The unicorn begot itself!
The creature of light
The pure creature.

Not that he entered, but that he,
the angel, so bent close to her
a youth’s face that his gaze and that
with which she looked up struck together,
as though outside it were suddenly all empty
and what millions saw, did, bore,
were crowded into them: just she and he;
seeing and what is seen, eye and
eye’s delight
nowhere else save at this spot--lo;
this is startling. And they were
startled both.
Then the angel sang his melody.

-- Rainier Maria Rilke



Annunciation (as the hunt of the unicorn) - Erfurt Dom Tafelbild -1420

Annunciation (as the hunt of the unicorn) - Weimar Schlossmuseum



Annunciation (as the hunt of the Unicorn) Friesach Dr-W-Horn


Al sexto mes el ángel Gabriel fue enviado por Dios a una ciudad de Galilea, llamada Nazaret,
a una virgen desposada con un varón que se llamaba José, de la casa de David; y el nombre de la virgen era María.

Y entrando el ángel en donde ella estaba, dijo: "Salve, muy favorecida! El Señor es contigo; bendita tú entre las mujeres". Mas ella, cuando le vio, se turbó por sus palabras, y pensaba qué salutación sería esta.

Entonces el ángel le dijo: "María, no temas, porque has hallado gracia delante de Dios.
Y ahora, concebirás en tu vientre, y darás a luz un hijo, y llamarás su nombre JESÚS. Este será grande, y será llamado Hijo del Altísimo; y el Señor Dios le dará el trono de David su padre; y reinará sobre la casa de Jacob para siempre, y su reino no tendrá fin".

Entonces María dijo al ángel: "¿Cómo será esto? pues no conozco varón".
Respondiendo el ángel, le dijo: "El Espíritu Santo vendrá sobre ti, y el poder del Altísimo te cubrirá con su sombra; por lo cual también el Santo Ser que nacerá, será llamado Hijo de Dios. Y he aquí tu parienta Elisabet, ella también ha concebido hijo en su vejez; y este es el sexto mes para ella, la que llamaban estéril; porque nada hay imposible para Dios".

Entonces María dijo: "He aquí la sierva del Señor; hágase conmigo conforme a tu palabra".
Y el ángel se fue de su presencia.

-- Lucas (1:26-38) - Reina Valera 1960



The Angel and the Virgin of Annunciation - Bicci di Lorenzo - 1434



Annunciation - Roger van der Weyden - 1440



Annunciation - Master Of The Aix -1445

Fra Filippo Lippi:

The Annunciation - Fra Filippo Lippi - 1450



Annunciation - Filippo Lippi - 1450

The Annunciation Wih Two Kneeling Donors - Fra Filippo Lippi -1455

Leonardo:

Annunciazione  - Leonardo and Verrocchio - 1472



Annunciazione  - Leonardo and Verrocchio - Detail of Angel




Annunciazione  - Leonardo and Verrocchio - Detail of Bible



Annunciazione  - Leonardo and Verrocchio - Detail of Virgin




Annunciation - Hans Memeling - 1470



Annunciation - Hans Memling - 1489



Annunziata - Antonello da Messina - 1475





Annunziata - Antonello de Messina (Detail)


JOSEPH therefore went from Judaea to Galilee, with intention to marry the Virgin who was betrothed to him;
For it was now near three months since she was betrothed to him.  
At length it plainly appeared she was with child, and it could not be hid from Josep.  
For going to the Virgin in a free manner, as one espoused, and talking familiarly with her, he perceived her to be with child, 
And thereupon began to be uneasy and doubtful, not knowing what course it would be best to take;  
For being a just man, he was not willing to expose her, nor defame her by the suspicion of being a harlot, since he was a pious man:  
He purposed therefore privately to put an end to their agreement, and as privately to send her away.  
But while he was meditating these things, behold the angel of the Lord appeared to him in his sleep, and said, Joseph, son of David, fear not;  
Be not willing to entertain any suspicion of the Virgin's being guilty of fornication, or to think any thing amiss of her, neither be afraid to take her to wife:  
For that which is begotten in her and now distresses your mind, is not the work of man, but the Holy Ghost.  
For she of all women is that only Virgin who shall bring forth the Son of God, and you shall call his name Jesus, that is, Saviour: for he will save his people from their sins.  
Joseph thereupon, according to the command of the angel, married the Virgin, and did not know her, but kept her in chastity. 

Gospel of the Birth of Mary by Matthew   (8:1-12)



Annunciation with Cardinal Juan de Torquemada - Antoniazzo Romano - 1485




Annunciation - Antoniazzo Romano (Detail) - 1485

Annunciation - Sandro Botticelli - 1485

Annunciation - Sandro Botticelli - 1498

Annunciation - Fra Bartolomeo - 1497

Annunciation - Pietro Perugino - 1499


16th Century:




Annunciation - Jan de Beer - 16th c.

The Annunciation - Domenico Beccafumi -  1545
 
Annunciation - Paolo Veronese - 1558


The Annunciation - Paolo Veronese - 1572
 
The Annunciation - Paolo Veronese - 1578


Annunciation - Federigo Barocci - 1596


17th Century:




Anunciación - Pedro Núñez del Valle - s.XVII
 
Annunciation - Caravaggio - 1608


Annunciation - Pieter Pauwel Rubens - 1610


Annunciation - Pieter Pauwel Rubens - 1628
 


Annunciation - Giovanni Lanfranco - 1616


Annunciation - Francesco Albani - 1633


The Annunciation - Philippe de Champaigne - c.1644


The Annunciation - Philippe de Champaigne - c.1645



18th Century:



Annunciation - Giovanni Battista Tiepolo - 1725


Annunciation -  Giovanni Battista Pittoni - 1758


19th and 20th Century:



Annunciation - James J. Tissot - 1894

Ancilla Domini - Rupert Bunny - 1896

Annunciation - Henry Ossawa Tanner - 1898

The Annunciation - John William Waterhouse - 1914

Blessed among Women - James Seward (contemporary)









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